Slave Positions

 Bara ******** : Punishment position, girl on her belly, hands behind back wrists crossed, ankles crossed, head to the left... bound, thrown to your stomach, wrists pulled, crossed and bound behind your back, ankles crossed and bound together at times also another piece of binding fiber may be used to bind your wrists and ankles completely together, bowing your back in order to do so, in this way the slave is unable to move at all.

Belly ******** : Submissive position, girl on her belly, hands at the sides with palms up, legs spread wide, head to the left, resting her chin on the Master's feet. in this position you go to your stomach at the Masters feet, placing your chin to his feet and kissing them before turning your head and placing your cheek to his feet...if you a distance from him and are ordered to position -you would crawl upon your belly, using your fingers and toes, as well as shimmying your body across the floor to reach him where then you would kiss his feet and place your cheek against them.. if you REALLY want to show your trust and submissiveness, you would place his foot to rest upon your neck before placing hands behind back, giving him complete control of your life.

Blanket ****** :When a blanket or cloak or covering of any sort is thrown over a slave girl she may not speak or rise; she must remain silent until the blanket is lifted by a free person.

Bracelets ******* : her hips slightly turned to one side, her back and shoulders erect, her wrists crossed behind her back and her head turned to the left, in anticipation of having slave bracelets attached to her wrists; by the book, you would turn your back to the Master to have the bracelets attached, to give them better access to your wrists, making things as easy as is possible for them by the book..volume 5..page 214.. Bracelets: wrists brought behind the back and extended out, head thrown back, and to one side, Turn your back to the Master so the bracelets can be attached.

Capture*******lays down on back, bending knees to place feet flat on the ground, hands at sides and remains motionless.

Collaring ******* the slave kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication...this is known as by the book submit if you are told to submit to somebody this is what they are speaking of you doing.. now. .you have two choices.. they have to collar you or kill you...it is the Master's code.. if you wish to lay yourself COMPLETELY to their hands.. you MAY lay your hands, once crossed into His, it would show your complete submission and giving of yourself

Crawl ******* gets down on all fours, palms to elbows flat on floor...buttocks in the air...forehead close but not touching the floor....crawls to just an inch from Master's feet. this is also most often a punishment position, if you have done badly...and KNOW you have done EXTREMELY wrong..you may do this crawl to go to your Master or Mistress to beg forgiveness; do NOT want to drag your forehead on the ground here.

Display*******stands, feet about shoulder's width apart, fingers laced behind the neck with elbows back, head up and eyes lowered.

Gorean Bow ******** kneels in nadu position, she bends her body backwards, her head to the floor; she places her hands by her head, and pulls up into a back bend. (this position is very painful to maintain for longer than 5 min) Hair ****** the slave stands, her feet flat on the floor, and bows gracefully at the waist, so that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires. as you know many things are done with your hair from being led around, wiping dust from an object, to bathing your Master

Hair*******Bends at the waist at Owner's side to be lead by the hair, never rising.

Heel ******* goes to Master and kneels in nadu behind and to his left...one step back and one step sideways awaits further orders...this command MAY follow lesha the Master may also command this position of you without the leash if he knows he can trust you..in accordance with volume 11 you would stay to his LEFT side.. by keeping 1-2 steps back..you would be well enough out of the way if he should have to draw his sword..you will have no problem keeping your pretty neck..by the book...volume 11...if you are seen on the Masters right side it is said to be thought that the slave is in disfavour.. many times, if you are with the Master, following him in heel...and in a busy place, he may require you to press your body to his left shoulder and back..so that he will know you are with him, but that is rarely done.

High-Harness*******holds head very high, exposing the neck.

Karta ******** kneels and touches her forehead to the floor ... stretches her arms out before her with palms face down and fingers spread. as stated earlier you would immediately drop into nadu, and describe position. (kar-ta....is at the entry) kar-ta is most widely used at the door to beg entry...; tis also the position that is used to beg anything.

Kneel at the Coffle*******nadu, and lift either the left or right wrist outward, depending on the type of coffle, so that the wrist can be attached to a wrist ring within the coffle chain.

Leading*******moves behind Owner, slightly to the left or right side, depending on which hand is dominant, bending at the waist, with hands behind back and placing the side of the head to the Owner's hip, that way can be lead by the hair while walking.

Lesha ******** Standard kneeling position, girl on her knees, eyes lowered. Her chin up, her head high and turned to the left so a leash may be attached to her collar, with her chin up and her back and shoulders straight. Her wrists are extended behind her, side by side, in a position to be locked into chained slave bracelets.

Nadu ******** This position is meant to be a proud one for the slave, her head high in the honor of serving you. In this position the slave kneels, she sits upon her heels with her shoulders and back straight, her breasts thrust out her belly in, and her head held high and her eyes lowered in respect. Her thighs widely spread, her hands rest upon her thighs palms up.

Nestle*******fits against the Owner's side, snuggling into the crook of the arm.

Obedience*******lays on belly, down beside Owner, placing chin on feet.

Obeisance ***** The slave goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission. you can even place their foot to rest upon your neck would NOT suggest you use this position with just anyone.

Prostrate*******kneeling, forehead to floor, arms stretched out with palms faced down and fingers spread.

Run*******runs, keepin legs rigid and unbending at the knees, short rapid steps. Feet must stay close to the surface of floor or ground.

She-Sleen ****** the slave falls to her hands and knees, her head down on the floor, her hindquarters up thrust for viewing and/or her Masters pleasure (either sexual or whipped upon the bottom)...serving in this position of the she-sleen is an instruction whereby the slave performs her regular duties while upon her hands and knees without the benefit of the use of her hands, now in this position she may NOT rise to her feet and may use only her mouth and teeth to grasp and manipulate objects...this position can be one of either punishment or pleasure.

She-Quadruped*******used for punishment. Stays on all fours, like an animal and cannot speak or reach for things with hands. Sometimes, even tricks are taught without the help of verbal clues.

Slaver's Kiss ******* The slave falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the whip.

Slave Lips ***** the slave turns her head up to the Master, her lips pursed in a sensual kissing position. She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master...by the book, volume 3 page 235, the description is...lips: go to your Master, when ordered, and show your love for Him, kissing Him and savoring His lips

 Slave Rape*******there are many types, but the standard is to lay still and supine in preperation to be raped.

Standard Binding*******lay on the ground, wrists crossed behind the back with ankles crossed, ready to be binded by fibers or bracelets.

Submission*******kneels bends at waist, places cheek to the floor, takes the Owner's right foot and places it upon the neck, crossing wrists behind the back.

Sula ********* a slave lays upon her back, her hands at her sides, palms upward, her legs widely spread, left knee bent and pushed out a bit, eyes lowered, to await her Master's pleasure. Now this position IS in the book, but it was not given a name; specifically it was in volume 6; most often this position would be done in the privacy of an alcove, when you are pleasuring your Master

Sula-ki ******** This position is almost identical to the Sula position, except once the slave has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. here, your feet would be planted on the floor, knees bent so you can raise your body up to him, once you are in the air...stay still, do NOT pump the air.

Table*******move to hands and knees, locking elbows, knees spread and firmly to the floor, make back smooth and level, head held level ((can be used to set things on or as a foot rest)).

Tower **** she kneels with her knees together & with her wrists crossed in front of her, as if for binding, palms flat and facing downward (for one is not offering) Also, male slaves are to kneel in tower at all times, unless told otherwise.

Usage*******on hands and knees, legs parted widely, head straight, hair falling across back, remains motionless, waiting for commands.

Walk *** When this command is given, a slave turns gracefully, her hair caressing her body as she turns. She walks quietly across the room, her feet hardly seeming to leave the ground, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hips out a bit, her hands at her sides, and points one foot. Her chin is held high and her eyes are lowered.

Whipping *** A slave quickly drops to her knees and raises her hips. She places her head to the floor and then crosses her arms across her belly. She waits motionless ready to accept her Master's punishment. Slave's with long hair will pull their hair from their backs so their backs are exposed for the whip.

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"I saw four small milk bosk grazing on the short grass. In the distance, above the acres, I could see mountains, snow capped. A flock of verr, herded by a maid with a stick, turned, bleating on the sloping hillside. She shaded her eyes. She was blond; she was barefoot; she wore an ankle-length white kirtle, of white wool, sleeveless, split to her belly. About her neck I could see a dark ring."

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"Men in the fields wore short tunics of white wool; some carried hoes; their hair was close cropped; about their throats had been hammered bands of black iron, with a welded ring attached. They did not leave the fields; such a departure, without permission, might mean their death; they were thralls."

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BtB Pleasure Slave Training

The training of a Pleasure Slave, is long and arduous. On the first week, a slave does nothing, but kneel before a mirror in the position of a pleasure slave (kneeling in nadu) for several Ahn a day.

The second week, she will kneel the same way, but repeats out loud, ?La Kajira? (?I am a slave girl?). During the third and forth weeks, she will learn the laws of natural order, relation of the sexes, and that women are natural slaves. Of course, the girl is allowed to argue and debate, during this time. Also, during the forth week, the girl will learn to respond to certain questions, some of them being quite complex.

In the fifth week, kneeling again, repeating the questions and answers, she learned. And in the sixth week, she kneels and repeats out loud, ?I love being a slave girl.?

The next few weeks will include, a period of exercises. Barbarians (Earth girls), learns Gorean, when not being trained. After the exercise training, they?ll learn how to stand, walk, kneel, recline, eat and drink. They also learn domestic chores, as well as dances, songs, variety of kisses, caresses and sexual techniques.

Now, most slaves will learn how to respond to various questions. Here is an example of common questions and answers:

What are you?

*A slave girl.

What is a slave girl?

*A girl who is owned.

Are you a slave girl?

*Yes, Master.

Who owns you?

*My Master owns me.

Who trains you?

*Everyone I interact with, gives me an opportunity to learn, in a formal way, my Master may choose anyone to train his slave.

Do you have a brand?

*No, Master.

Why?

*Because, I have not yet proven my slavery.

Do you wear a collar?

*Yes, Master.

What sort of collar do you wear?

*A personal collar, Master, it shows that I belong fully to my Master and he may do whatever he wishes with his slave.

What is the common purpose of a collar?

*The collar has four common purposes, Master.

*First, it visibly designates me as a slave, as a brand might not, if it should be covered by clothing.

*Second, it impresses my slavery upon me.

*Thirdly, it identifies my Master.

*Fourthly, it makes it easier to leash me.

Do you like being a slave girl?

*Yes, Master.

What does a slave girl want more than anything?

*To please her Master.

What are you?

*A slave girl.

What do you want more than anything?

*For my Owner to find me pleasing.

What it Means to be a Bond

Cly:

This little task, the Overseer has placed upon us, have me stop to take in all my surroundings.
The meaning to be a bond, isnt just a femlee whose belly lie beneathe the sword. It also, to me at least, means she is the strength and pride of bother, her Jarl and the Village she serves in.
Within the village, a bond does alot to keep the village thriving even while the Jarls are away. Making sure each task and simple chore are done. So the village runs smoothly and in order. For both Jarl's approval and tp please him.
And speaking of Jarls, I am proud to be collared by my Jarl. He who brought me im from my dispair as i roamed, abandon. To me, his collar about my neck is my freedom and I will neverstray from it. For he lets me be true to myself. As a slave of the north, a bond.
And I would do anything and everything to bring honor and pride, not to just the village  that i serve in, but to the man whom ive serve. My Jarl. Thank you, for making me your bond, my Jarl.


Tala:


Lara:

What does it mean to be your bond...
As I ponder on this question, I must admit that I have no training whatsoever in pleasing men as a gorean slave ought to…nor do I completely understand what a bond is. Farm girls, slave girls to the Masters of the north or even a girl whose belly lies beneath the sword, are terms used to describe the role I currently hold.
But I do not know what all these terms should mean with regards to me being YOUR bond my Jarl. Being your bond means so much more that wearing a northern collar. It is an art I hope to Master because being your bond Means being every and anything you need, want and desire. I will milk yours bosks, and beat the furs…I will serve your long halls and cultivate your fields, but most of all my  Jarl I will fill you with a passion so strong and so true. When you want me to laugh I will..when you want me to cry..i will. When you need me to stay away I will..but when you seize me into your arms I will remain. When your day has been long and tiring I will be your rest and your escape. Being your bond my Jarl means being your fantasy. And I Long for nothing less that the fullness of your happiness.


Kyna:

  Some might say it starts with a circle, circle of life, circle of steel, circle of earth, it did not start that way for kyna.  It was one beat.  In a way it was still a circle, the blood coursing through her veins.  Few know that kyna came into this world fighting for her life.  Few know of the trials and tribulations kyna has pushed through on her journey.  Life is full of lessons, full of culture everywhere you look.  Looking back now, taking the time to reflect shows a clear path as if those on Urth that touched her life knew one day she would be here, on Gor,  in this village, property of a fierce warrior.  Even still the things she was taught, the knowledge it only complemented something far greater that cannot be picked up in any school.   Some call it faith, determination, spirit, or just plain drive and it is all of those things.  In losing everything there were certain things kyna found, like flint sparks to kindling, igniting instant flames deep within.  Quite certain there could be no greater love, no deeper feelings than those of a bondmaid.
    There is no doubt kyna’s heart beats solely to please her Jarl.  Of the many lessons she had learned along the way few stuck that of a dear friend and fellow masochistic slave whom once had said to kyna, “The kiss of the whip, no matter the pain, is still the touch of my Master, the tasks set before me an extension of Him,  and in that my comfort is found, even if He sold me, even if He never wished to see me again, still then would i serve to the best of my capabilities for in that way i am still serving Him.”  Powerful point of view, to know there is nothing one would not endure to satisfy another, to give up everything if only for the chance to please another being.  That knowing your only pleasure might be in knowing you have pleased Him and knowing that is the only pleasure you would dare seek in this life merely because your heart commanded it be so or stop beating all together.
    Inside kyna is her actual heart which pumps life through veins and deeper still is her heart, the heart of a bondmaid, the piece of her soul that truly deems her so.  The piece of her that bids her so bold to conquer fears, the deep pool from which she often speaks, the nervous system that cannot be physically located or severed by any steel, nor can it be implanted or falsified, or otherwise duplicated.  No whips caress instructs its creation or destruction.
    Being a bondmaid is not really about being anything at all.  To kyna, it’s nay about the steel about her neck.  It is the sum of all the pieces, not a part of the equation.  It is about making every action for my Jarl.  About letting go of every part and allowing Him to shape me as He pleases, as a sculptor does with clay.  It’s my every action, my every breath, every cell that makes me, each one set upon in its own way to please Him, to serve and obey His words, regardless of consequence and without hesitation.
    That is the basic matter.  To be a bondmaid is to be born with an incredible amount of bravery and strength.  How weak is a girl who would give her own life without second thought for that of her Jarl’s?  Who would do anything, yes anything, for her Jarl?  Who is humbled by His praise, His touch so much that it is what her existence is for solely.  All this seems so simple and yet is so incredibly difficult.
    A bondmaid is born with the tools she will need to be successful, mainly intelligence.  Education is never lost on a bondmaid and scholarly education is not what is meant here.  Creativity, the sense to know what may or may not be appropriate, and a large portion of honesty, all these should be polished to a fine gleam as a bond is raised.  For kyna they were everyday on Urth from the time she was a child.
    These are kyna’s thoughts.  Being a bond is not a thought, it is who she is every day.